She liked to take care of me and I let her. “Sorry about the bread,” she said, handing me a full plate. “It got soggy.”
We ate in the living room, looking up every once in a while at the screen
Then I hear it. Loud as the train coming into the station. Fuckinragabagagrrahfuuck. Ah ha. Of course. The unmistakable call of the down and out drunk.
When I was twelve or thirteen my grandmother gave me a book by art historian and occultist Fred Gettings about the tarot. My grandmother really helped foster my imagination about magic.
Glass of Water—
Selves rasp against each other. Mother's little bucket of wisdom tipped over; teacher's sweet girl has curdled. Mere glimpse of the calm hand of an honest femme could heal—cool
Most of the time, I am skeptical of the notion that a writer can find his or her voice. I warn my first-year students against believing the maxim because, to me, it presupposes that every writer
The main thing about washing dishes at Ronny’s Café is I can come into work pretty fucked up and no one seems to notice—least of all Todd.
I turn the knob to the right, bang my hands against the steering wheel, and deafeningly inform the world that I’m out of my cage and doing just fine.
I immediately remembered the Sex and the City episode where Samantha wants to sleep with the Franciscan priest she refers to as Friar Fuck.
In these poems I am using ‘Chelsea Martin’ as a pseudonym for someone who is not Chelsea Martin.
I've been socialized to be alive / the quiet death of women eating salad
Dad’s side are all boring fucks. Mom’s side, god—all my mom’s brothers thought they were the outlaw rebel cowboys of New Jersey. Wild ones. Alcoholics. They were fun, while they lasted. All those men
We lie here together, gold in charred hands, / pulling the ash from each other’s hair.
As always, feel I’ve mentioned this elsewhere—But here’s how deep I’d get into something without being able to have it make sense.
This is the most difficult sermon, / The one where the disciples / Burn the hamburger buns and / Christ nearly misses his train.
I grow our loneliness in my mouth, feed you— / sweet and bleak— under a halo of buzzing stars.
The snow is beautiful and I want to die. Who could / refuse this softness?
They had taken all the milking cows but left us the wheat fields that fed them. Only Boy handles our cow creamer with two hands, respectfully, as we consider it a new-religion relic. He is too
Stephen Malkmus
Stephen Malkmus
February 13th, 2001
Matador Records
12 songs, 42 Minutes
I ripped this CD onto my half-dead laptop in the dingy radio station studio deep in the
An interview with Anna Noyes
Do you ever make pieces of origami, folding a sheet of paper over and over intentionally? Do you feel silly? Do you question each fold, or trust that the folds will add up to the frog or the bird you were promised?
