Whatever: molecules transform / and become part of my arms, my legs—that’s cool.

When I was twelve or thirteen my grandmother gave me a book by art historian and occultist Fred Gettings about the tarot. My grandmother really helped foster my imagination about magic.

Glass of Water—

Selves rasp against each other. Mother's little bucket of wisdom tipped over; teacher's sweet girl has curdled. Mere glimpse of the calm hand of an honest femme could heal—cool

Most of the time, I am skeptical of the notion that a writer can find his or her voice.  I warn my first-year students against believing the maxim because, to me, it presupposes that every writer

The main thing about washing dishes at Ronny’s Café is I can come into work pretty fucked up and no one seems to notice—least of all Todd. 

I turn the knob to the right, bang my hands against the steering wheel, and deafeningly inform the world that I’m out of my cage and doing just fine.

I immediately remembered the Sex and the City episode where Samantha wants to sleep with the Franciscan priest she refers to as Friar Fuck.

They

whoever they are they warn freak snowstorms
in spring & weak apple harvests & everyone mutters
certain doom in small talk & watches the news cycle
for the deaths of their

In these poems I am using ‘Chelsea Martin’ as a pseudonym for someone who is not Chelsea Martin.

I've been socialized to be alive / the quiet death of women eating salad

We talked about a lot of things when we were high. We talked about a lot of things when we were sober, too. 

i have stopped worrying / about being / a robot / version of me / with unfamiliar eyes / but i have other worries

Dad’s side are all boring fucks. Mom’s side, god—all my mom’s brothers thought they were the outlaw rebel cowboys of New Jersey. Wild ones. Alcoholics. They were fun, while they lasted. All those men

We lie here together, gold in charred hands, / pulling the ash from each other’s hair.

As always, feel I’ve mentioned this elsewhere—But here’s how deep I’d get into something without being able to have it make sense. 

This is the most difficult sermon, / The one where the disciples / Burn the hamburger buns and / Christ nearly misses his train.

It was late July, those days in Chicago when summer is past its prime and everybody's waiting around for a bit of fun.

I grow our loneliness in my mouth, feed you— / sweet and bleak— under a halo of buzzing stars.

The snow is beautiful and I want to die. Who could / refuse this softness?

They had taken all the milking cows but left us the wheat fields that fed them. Only Boy handles our cow creamer with two hands, respectfully, as we consider it a new-religion relic. He is too

Stephen Malkmus
Stephen Malkmus
February 13th, 2001
Matador Records
12 songs, 42 Minutes

I ripped this CD onto my half-dead laptop in the dingy radio station studio deep in the

The photo I'm about to share is a sandwich, on a big brioche bun, cheese dripping out the sides, and juicy roast beef, beet red and bloody, two inches thick. I stick in two toothpicks, with blue

Weird day at work. Serving at Maria’s, couple walked up to me, looked like they’d been crying, gave me one hundred dollars. Five twenties. 

Than the plastic donation kiosks in a mall / shaped like a funnel. You walk up and roll / your change and watch all of it spiral down

My son is obsessed with points.

An interview with Anna Noyes