July 2, 2014 | Nonfiction
Dramatic Photos of a Fire: A Great, Stop-Motion Tragedy
Michael Pagan
How we pretended to be other people for fun: “Hi, what’s your name?” she asked. “Bill,” I said. “Bill, huh? I can think of a lot of words that rhyme with Bill.”
July 1, 2014 | Interview
A Bum is the Main Human Vocation: Joe Sacksteder Interviews Sean Kilpatrick
Joe Sacksteder
And here comes this very small girl – this fairly attractive small girl – getting real thug with me suddenly. Suddenly thug. This petite white girl getting suddenly thug. And she physically pushed me saying “Wrong fucking pile!” She was angry about this pile.
July 1, 2014 | Nonfiction
Other People Podcast
Sean Kilpatrick
If one person can take from this that it is not about privilege, it is not fiction versus poet, it is none of the internet fashions of complaint and it is not anonymous (even though I am any-goddamn-pleasing-way anonymous with or without my fucking name) ...
July 1, 2014 |
The Sacrament
Sean Kilpatrick
My fault for side-stepping the usual male pretense at sensitivity or smug confidence of manipulation. I’ve saved it all for this fucking Lish frottage of a sentence.
GREAT MOMENTS IN CINEMATIC DRINKING: Silkwood
Matt Sailor
It’s a hot day in Oklahoma, and Kurt Russell has been working hard. At what, we’re not entirely sure. There may have been a throwaway line of dialogue about fixing cars or mending fences or digging
The Stink of Horses: Excerpts from The Marina Golovina Controversy by the Ballet Book Series
Bonnie Jo Stufflebeam
“I don’t understand anything about the ballet; all I know is that during the intervals the ballerinas stink like horses.”
-- Anton Chekhov
“When I dance, the stage shakes with my weight.
Time and Resonance: An Interview with Shane Jones
J.A. Tyler
Shane Jones’s Crystal Eaters begins as a countdown. The chapter numbers start at 40 and irregularly drop to zero by the book’s end. The page numbers recede against conventions too, and the
Final Warning
Nora Bonner
Betty crossed her yard and our street and my yard holding a bundle of mail.
This Moment at the Peticolas Brewing Company...
Geoffrey Geoffrey
This Moment at the Peticolas Brewing Company When Chris and I Thought That Becoming Brewers Was the Only Way to Find Meaning in Our Otherwise Meaningless Lives
It looked like it was
Three Stories
Mike Topp
The Light Bulb
Man did not get the idea for the light bulb from those cartoons when someone gets an idea.
Robinson Crusoe
Robinson Crusoe’s last words were not
The Panda Barn
Lyndsey Reese
It’s called The Panda Barn, where you can go and it’ll just be rows and rows of beds
Brian Allen Carr Interview
Sean Kilpatrick
Sean Kilpatrick: If you and I could be said to exist outside ye old literary camps, and I think our flags remain hygienic because I don’t leave the house and you’re too good at what you do, also
This Is What That Means
Maggie Donohue
I snapped back into it at the bar. I’d been there the whole time, of course, but I hadn’t really acknowledged it, and I took in the room and the situation like crawling out of a ditch. Billy was
3 Fictions
Erica Stern
The Day Shirley Temple Died
I remembered I was a bad mother. I called up my son, a bellboy in a fancy Las Vegas hotel, I wanted to apologize, patch things up. Redemption is a thing I believe
Merry Christmas, Cheryl Ann
Nathan Elias
The next three and a half or four minutes will be used to draw conclusions on the relevance and authenticity of Christmas based on self reflexivity by using photographs of Cheryl Ann during the days leading up to Christmas.
Palo Alto
Sean Kilpatrick
You know shit’s over when they flunk a nihilist out of the suckass pedagogy for bringing too much optimism.
Jason Ockert Interview
Patrick Siebel
Following his debut collection, Rabbit Punches (Low Fidelity Press, 2006), Neighbors of Nothing (Dzanc, 2013) marks Jason Ockert’s triumphant return to the press, offering ten distinctly original
The Last Room
Amy Benson
Humans learn occlusion on their way out of infancy—the ability to grasp that the toy still exists when it’s under the blanket...
Year Twenty Two
Zachary Cosby
I
i dedicate this poem
to the first 15 years
of the twenty first century.
it's name is "citrus".
i call it that
because I can't remember
its real name,
or anything else
Blue Ruin
Sean Kilpatrick
inhabited a square-foot ghetto in Austin, cute by standards of being raised south of 8 mile, upside Detroit’s unfair putty
Rubber Light
Aviva LeShaw
That was the night Gabby and I drank the bottle of bourbon next to the makolet.
In America, we call them mini-marts, but in Israeli outskirts,
we call them makolets --
until we can’t form the