Fishhooks the size of anchors have started falling from the sky. It’s happening two or three times a week...

At night the air waits for Cassidy the way it does for a fuse to free its load. Then the great burst air gets to be, the blues and pinks and falling greens of fleurs-de-lis the stars might have

The first time I fingered a girl, I messed it up. Of course, I didn’t realize at the time. It happened on a Friday night, at a playground. There were four of us there. Two girls, two boys. It was a very open thing. The girl who I fingered said she’d let me try, and we sent our friends to the basketball court to wait for us. 

We won’t drink the juice and we won’t make wine with it.  Because, well, feet. But the secret none of us shares is the fairground sun has emptied our heads of moisture—the secret is, we are all

And then there's Rob Delaney. The next time Rob Delaney tweets—which is probably going to be in the next half hour or so—almost 750,000 people will have it pop up in their feeds. (Give or take a

I fell in love with Lena Dunham from the first scene of the first episode of her hit TV show, Girls. I connected with her instantaneously, and knowing that she also wrote the script for the show

She can pack what remains of the pancreas like a Tetris pro. But at night she dreams of Lily.

In my mind, I had already built a Lego wall around the perimeter of the yard, tall as the Siamese twin magnolia trees I sometimes sat in...

I was in this movie. I was in this movie. I was in it. I was there. I was ripping in and out of the titles as they blinked across the screen. I was swimming through the avocado walls into the house

I. There’s a message from home—a place we call Pineapple for the two kinds of trees that hide it from the river. It’s a clipping from my father. No greeting, just a photo and a little

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.

The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”

Django Unchained was the best movie I saw in 2012  (though Take Shelter and Moonrise Kingdom are a close second and third, respectfully) and certainly should be considered one of director

An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"