Showing results for Interview
For instance, I had the line “But I was talking about lightning” in my head for the first line of an essay, but I had no idea what that essay was about. So I started to write about lightning and do some Wikipedia-ing, and eventually the idea of looking at trauma and human relationships through the metaphor of lightning started to emerge. From there, I just followed my brain around as the essay started to form.
Toronto-based writer Sennah Yee’s first collection, How Do I Look?, is quick-witted, lucid, observant and constantly rewarding. Though her book is technically classified as poetry, her pieces feel more like vignettes to me, mini-stories and personal anecdotes that seem to be examining their feelings in real time, tackling in the process a wide range of topics such as mythological figures, the movie Mulan, The Sims, sexual awakenings, microaggressions, Grand Theft Auto 5, being Chinese-Canadian and much more.
Roxane Gay took me out to dinner five years ago. It was Roxane, Ashley C. Ford and me. We were in... more
The book reveals as much about the reader’s psyche, about the self and the readers’ reaction to reading it, as it does about the author— this deeply personal thing, a dream, so full of symbols we imbue with our own shared and cultural meanings.
I read the first half of Dust Bunny City (Disorder Press, 2017) at a party, while I was sober. Men were playing darts, making tiny dart holes in the rented apartment walls. I watched them throw darts and cheer and try to teach me how to play, and then drunkenly play with the dogs in the house and then went back to my reading.
Grodstein is the author of four previous books, including the New York Times bestseller A Friend of the Family and the Washington Post Book of the Year The Explanation for Everything. She was kind enough to answer some of my questions regarding OUR SHORT HISTORY, out now from Algonquin Books.
Gregory Lee Sullivan
I’m fascinated by the idea of nonlinear time — that linear time is a construct we use to make sense of the world. Now, maybe without linear time we’d all be mad. But I find great comfort in accepting the idea, intellectually, that linear time isn’t necessarily real.
BESTIARY was released in October of 2016 by Graywolf Press and has garnered a great deal of praise, including being longlisted for the 2016 National Book Award in Poetry. Kelly was kind enough to answer a few of my questions via email regarding the notion of self in poetry, how trauma and grief can manifest in art, and how her critical work informs (or fails to inform) her poetry.
"You look like you're trying to write the Great American Novel, which makes me want to barf": An Interview with Kevin Wilson
The stories in Virgin blew me away with their strange sexy intelligence and overall aliveness.
an interview with Chris Bachelder, by Aaron Burch
I think ten t-shirts would be too many to write about, but I’m perversely hoping that twenty-two is somehow not too many. A writer can, I think, pass beyond “too many” or “too much” to a sense of rightness or aptness. The paradox: More than too much is sometimes not too much.
Within its pages, the reader is invited to discover those wondrous things that only great short fiction can offer: an abbreviated window into disparate lives, intense and intricate moments of distress and disclosure, completely self-contained and executed in twenty-five pages or less (Deagler on Gustine's Collection).
A 400-page collection of poems in fours sections: Nicki Minaj Songs, Bob Dylan Songs, Elliott Smith Songs, and 90s Riot Grrrls Songs.
Legs Get Led Astray
FOUR NEW ESSAYS BY CHLOE CALDWELL! Plus the original essays that made you fall in love with Chloe!
Jason Phoebe Rusch
Jason Phoebe Rusch is a queer writer from the Chicago suburbs. His full-length debut Dualities explores gender and patriarchy from the perspective of a man who was socialized and is currently still read as a woman. He is interested in complication and nuance and messy human failing, his own and that of others.