hobart logo

Showing results for From The Vault

A&W&P photo
March 5, 2013 | from the vault

A&W&P

Daniel Torday

Just in time for the opening bell (or is it more approrpriately an opening toast) of AWP in Boston tomorrow, we present Daniel Torday's "A&W&P." We first ran this story before AWP last

From the Vault: Redefining All-You-Can-Eat: Our 14-Hour Challenge to Ryan's Steakhouse by Blake ButlerĀ  photo
December 31, 2012 | Nonfiction, from the vault

From the Vault: Redefining All-You-Can-Eat: Our 14-Hour Challenge to Ryan's Steakhouse by Blake ButlerĀ 

The Atlanta AWP was the first one that I attended. Among many memories that explode to mind: perhaps the worst breakfast served by a restaurant to four people in the history of restaurants,

From the Vault: Fitzhugh Falls by Todd Cantrell photo
December 28, 2012 | from the vault, Fiction

From the Vault: Fitzhugh Falls by Todd Cantrell

Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.

From the Vault: That Which Is Revealed in the Absence of Light by Elizabeth Ellen photo
December 27, 2012 | from the vault

From the Vault: That Which Is Revealed in the Absence of Light by Elizabeth Ellen

It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart. 

From the Vault: Almond Bark photo
December 26, 2012 | from the vault

From the Vault: Almond Bark

I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not very often that you read a holiday story (and I mean a story that is about the

from the vault: The Novelist by Tao Lin photo
September 1, 2012 | from the vault, Fiction

from the vault: The Novelist by Tao Lin

Elizabeth Ellen looks back at Tao Lin's "The Novelist" from Hobart, Aug./Sept. '04.

from the vault: Overhanded by Amy Minton photo
September 1, 2012 | Fiction, from the vault

from the vault: Overhanded by Amy Minton

Matthew Simmons looks back at Amy Minton's "Overhanded" from Hobart, May '07, and also her interviews, and just her awesomeness in general.

from the vault: The Exit Colony by Spencer Dew photo
September 1, 2012 | Fiction, from the vault

from the vault: The Exit Colony by Spencer Dew

Jac Jemc looks back at Spencer Dew's "The Exit Colony" from Hobart October '04.

from the vault: Belly by Glen Pourciau photo
September 1, 2012 | Fiction, from the vault

from the vault: Belly by Glen Pourciau

Jensen Beach looks back at Glen Pourciau's "Belly" from Hobart October '08.

from the vault: Two Shorts by Aaron Gwyn photo
September 1, 2012 | Fiction, from the vault

from the vault: Two Shorts by Aaron Gwyn

Aaron Burch looks back at two Aaron Gwyn shorts from Hobart, early 2002.

Excerpt from The Big Book of Forgotten Lunatics, Vol. 1 photo
September 1, 2011 | from the vault

Excerpt from The Big Book of Forgotten Lunatics, Vol. 1

Kevin Wilson

Kevin Wilson is the author of a story collection, Tunneling to the Center of the Earth(Ecco/Harper Perennial, 2009), and a novel, The Family Fang (Ecco, 2011). He lives and teaches in Sewanee, TN.Kevin Wilson is the author of a story collection, Tunneling to the Center of the Earth(Ecco/Harper Perennial, 2009), and a novel, The Family Fang (Ecco, 2011). He lives and teaches in Sewanee, TN.

Recent Books

Exit, Carefully

Elizabeth Ellen

"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."

                      -Walker Caplan, Lithub

Worsted

Garielle Lutz

“Lutz’s work is a marvel of the possibilities of language.  Each of her sentences is an intricately crafted thing, deeply complex yet crystalline in its clarity . . . her command of each and every word remains supreme.”     

  --Mira Braneck, The Paris Review Daily

 

Garielle Lutz is the author of The Complete Gary Lutz, among other books.

Her Lesser Work

Elizabeth Ellen

"[Her Lesser Work] is a collection of mordant and formally inventive stories circling themes of, let’s say, desire and escape within repressive structures."

      -Walker Caplan, Literary Hub